Showing Records: 21 - 40 of 153
Concrete Poem for Marcel Duchamp, David Cole and Jean-Paul Curtay / Bloch, Mark; Duchamp M; Cole D; Curtay JP., 1985
Crossing the River When the Bridge Comes to It / Cole, David., 1986
Dada Moment Post / Cole, David., 1992
The collaged elements of the cards include fragments taken from the Sackner Archive stationery. -- Source of annotation: Marvin or Ruth Sackner.
De Aums Warble Stamp Act II / Cole, David., 1983
Some images are composed of distorted letters. -- Source of annotation: Marvin or Ruth Sackner.
Do Not Ask for Whom the Bell Tolls, It Tolls for Thee Gone Fisson / Cole, David., 1991
Entrance Dance / Cole, David., 1986
The envelope has stencilled lettering. -- Source of annotation: Marvin or Ruth Sackner.
Ergo Post Hoc / Cole, David., 1984
David Cole created this work as a response to the Sackners' visit to his studio followed by dinner in a Chinese restaurant. -- Source of annotation: Marvin or Ruth Sackner.
Exhibition of Recent Works & An In-gathering of Paint Stirrers / Cole, David ; Zelevansky P ; Ernst K ; Welch C ; Rosenberg MR ; Sackner RK ; Sackner MA., 2000
This was a memorial exhibition for David Cole (1939-2000). -- Source of annotation: Marvin or Ruth Sackner.
Experimedia Simplexity / Was, Elizabeth, editor ; And, Miekal, editor ; And M ; Andrews B ; Bernstein C ; Cole D ; curry jw ; Laba M ; Ernst KS ; Essary L ; Ganick P ; Hill C ; Kempton K ; Lipman J ; Malok ; Porter B ; Raphael D ; Polkinhorn H ; Was E ; Stein C ; DiMichele B ; Goldstein D ; Kaplan E ; Rahmmings K ; Schneider L ; Schwind J ; Spiegelman L ; Rosenblum M., 1987 - 1988
Fig Nonce / Cole, David ; Cunning, Sheril., 1990
Cole indicates that this collaborative book was produced by "choosing a theme of dance [and using] selections from our letters as the canvas/stage/dance floor, and from there [letting] all else develop." -- Source of annotation: Marvin or Ruth Sackner.
Floor Space / Cole, David., 1997
David Cole includes a letter with this pamphlet in which he describes a series of large paintings that he calls "shrouds" as well as large visual floor paintings. -- Source of annotation: Marvin or Ruth Sackner.